Sculptor, of Dublin, for biography and works of whom see W.G. Strickland, A Dictionary of Irish Artists (1913), I, 587-592, and Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010), 52-57. He was the father of JOSEPH ROBINSON KIRK.JOSEPH ROBINSON KIRK.
RHA: founder member, 1823.
See WORKS, for fixed works only.
39 work entries listed in chronological order for KIRK, THOMAS *
W.G. Strickland, A Dictionary of Irish Artists (1913), I, 590; Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010), 13-14.
Relief of military trophies over entrance to guard house in Foster Place. TK paid £232.1s for same. Also designed statue of George III, executed by John Bacon the younger, 1813.
Refs:
J. Warburton, J. Whitelaw & R. Walsh, History of the City of Dublin (1818), I, 533; F.G. Hall, The Bank of Ireland 1783-1946 (1949), 468; Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010),
Statues of Piety and Charity exh. Society of Artists of Ireland, Dublin, 1810, no. 239; H. Potterton, Irish Church Monuments 1570-1880 (UAHS, 1975), 57
12-foot-high statue of 'A British Tar' erected as a beacon, for the Ballast Board. Sketch exh. Dublin, 1815. Model exh. London, 1817. Town & Harbour Commissioners advertise for stone pillar 10 ft above high water upon which to place metal man, 'now lying on the quay', 1822.. Commissioners decide to paint same, 1825 same, 1825.
Refs:
Sketch exh. Hibernian Society of Artists, Dublin, 1815, no. 172; model. exh. London, 1817; William Gregory Wood Martin, History of Sligo, county and town, from the earliest ages to the close of the reign of Queen Elizabeth (to the present time) (Dublin, 1882-92), III, 224; W.G. Strickland, A Dictionary of Irish Artists (1913), I, 592; illus. in National Inventory of Architectural Heritage http://www.buildingsofireland.ie /niah/search.jsp?type=record&county=SL®no=32304007 (last visited 7 Oct 2008).
Monument to George Gillichan (d. 1817) with Good Samaritan relief.
Refs:
H. Potterton, Irish Church Monuments 1570-1880 (UAHS, 1975), 57; Christine Casey & Alistair Rowan, The Buildings of Ireland: North Leinster (1993), 264; Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010), 54(illus.).
Monument to Thomas Dillon with Good Samaritan relief 'may safely be attributed to Thomas Kirk'
Refs:
H. Potterton, Irish Church Monuments 1570-1880 (UAHS, 1975), 57; attribution supported by Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010), 54-55.
W.G. Strickland, A Dictionary of Irish Artists (1913), I, 588; H. Potterton, Irish Church Monuments 1570-1880 (UAHS, 1975), 56; Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010), 53(illus., fig. 54).
Figure of Sneyd exh. RHA 1835, no. 308, model exh. 1828, no. 207; W.G. Strickland, A Dictionary of Irish Artists (1913), I, 591; H. Potterton, Irish Church Monuments 1570-1880 (UAHS, 1975), 56; Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed (Yale University Press: New Haven & London, 2010), 54(illus., Fig.55).